viernes, 27 de septiembre de 2013

Katy Perry on Billboard Magazine


According to Perry, "PRISM" began with a process she calls "slow cooking." While on tour promoting "Teenage Dream," she began recording fragments of ideas into a dictaphone on her iPhone. Then Ngoc Hoang, a member of Perry's team at Direct Management Group, transcribed them and put the results into a "treasure chest" that Perry referred to throughout the album's creation. Perry notes the sessions for "PRISM" began to "dibble-dabble" last November, when she went into the studio with longtime collaborators Greg Kurstin and Greg Wells. "I was still in a dark place,"

Perry says. "I hadn't let the light in."
When sessions for "PRISM" began anew in March, however, Perry had already gone through an intensive period of self-examination. "I took a trip to Africa that really put my priorities in perspective and started doing more work on myself," she says. Renewed, Perry reunited with her creative team from Teenage Dream, spending a month in Santa Barbara, Calif., with longtime producer Lukasz "Dr. Luke" Gottwald, frequent songwriting partner Bonnie McKee and Henry Walter, aka the young studio mastermind Cirkut. From there she headed to Stockholm to work with Scandinavian pop maestro Max Martin for a few weeks to put "the icing on the cake." In addition to those power players, Perry tapped such hitmaking collaborators as Stargate, Benny Blanco, Juicy J, Jonatha Brooke, Sia, Christian "Bloodshy" Karlsson and Klas Ãhlund of the Teddybears. (Perry shares co-writing credit on all of the tracks.)

"In May, I sat down with my managers and said, 'Guys, I think I'm going to have everything ready enough to come out this fourth quarter,'" Perry says. "We weren't really thinking we'd be able to put anything out until February, but you don't want to sit on something that's about to burst."

Source: Billboard

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